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Nicolae Grigorescu
Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.

 

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Nicolae Grigorescu Self-Portrait oil painting

Painting ID::  30772

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Nicolae Grigorescu
Self-Portrait
nn06 1888 Oil on canvas 35x23.8cm Museum of Art Bucharest
   
   
     

 

 

Nicolae Grigorescu Convoy of Turkish Prisoners oil painting

Painting ID::  30773

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Nicolae Grigorescu
Convoy of Turkish Prisoners
nn06 oil on canvas 21x3.5cm Nicolae Grigorescu Memorial Museum Campina
   
   
     

 

 

Nicolae Grigorescu The Spy oil painting

Painting ID::  30774

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Nicolae Grigorescu
The Spy
nn06 oil on canvas 74x143.5cm National Art Museum of Romania, Bucharest
   
   
     

 

 

Nicolae Grigorescu The Attack of Smardan oil painting

Painting ID::  30775

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Nicolae Grigorescu
The Attack of Smardan
nn06 1885 Oil on canvas 53x390cm History and Art Museum of Bucharest City
   
   
     

 

 

Nicolae Grigorescu The Sentry oil painting

Painting ID::  30776

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Nicolae Grigorescu
The Sentry
nn06 1877-1878 oil on canvas 63x35.8cm National Art Museum of Romania, Bucharest
   
   
     

 

 

Nicolae Grigorescu The Artillerymen oil painting

Painting ID::  30777

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Nicolae Grigorescu
The Artillerymen
nn06 1877-1878 oil on canvas 27x54cm National Art Museum of Romania, Bucharest
   
   
     

 

 

Nicolae Grigorescu Girls and Young Men by the Well oil painting

Painting ID::  30778

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Nicolae Grigorescu
Girls and Young Men by the Well
nn06 Oil on cardboard 16.5x24.5cm Nicolae Grigorescu Memorial Museum ,Campina
   
   
     

 

 

Nicolae Grigorescu Prince Carol Visiting the Turkish Prisoners oil painting

Painting ID::  30779

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Nicolae Grigorescu
Prince Carol Visiting the Turkish Prisoners
nn06 oil on canvas glued on cardboard 75x150cm National Art Museum of Romania, Bucharest
   
   
     

 

 

Nicolae Grigorescu Gypsy's Head oil painting

Painting ID::  30780

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Nicolae Grigorescu
Gypsy's Head
nn06 oil on wood 31.7x23cm National Art Museum of Romania, Bucharest
   
   
     

 

 

Nicolae Grigorescu Peasant's Head oil painting

Painting ID::  30781

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Nicolae Grigorescu
Peasant's Head
nn06 oIl on wood 26x17.2cm Art Museum,Ploiesti
   
   
     

 

 

Nicolae Grigorescu Girl with White Veil oil painting

Painting ID::  30782

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Nicolae Grigorescu
Girl with White Veil
nn06 oil on wood 20.1x16cm Nicolae Grigorescu Memorial Museum , Campina
   
   
     

 

 

Nicolae Grigorescu Cheerful young Peasant oil painting

Painting ID::  30783

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Nicolae Grigorescu
Cheerful young Peasant
nn06 1894 Oil on canvas
   
   
     

 

 

Nicolae Grigorescu Spring oil painting

Painting ID::  30784

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Nicolae Grigorescu
Spring
nn06 Oil on canvas 129x62cm Art Museum Constanta
   
   
     

 

 

Nicolae Grigorescu Shepherdess oil painting

Painting ID::  30785

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Nicolae Grigorescu
Shepherdess
nn06 oil on canvas 33.5x108.2cm Art Museum Cluj
   
   
     

 

 

Nicolae Grigorescu Peasant Woman Sitting in the Grass oil painting

Painting ID::  30786

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Nicolae Grigorescu
Peasant Woman Sitting in the Grass
nn06 oil on canvas 25x36.5cm Nicolae Grigorescu Memorial Museum Campina
   
   
     

 

 

Nicolae Grigorescu Sepherdess oil painting

Painting ID::  30787

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Nicolae Grigorescu
Sepherdess
nn06 Oil on canvas 54x64cm Nicolae Grigorescu Memorial Museum,Campina
   
   
     

 

 

Nicolae Grigorescu Woman Spinning oil painting

Painting ID::  30788

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Nicolae Grigorescu
Woman Spinning
nn06 1864-1869 oil on canvas 32x44cm
   
   
     

 

 

Nicolae Grigorescu In Front of the Firephale oil painting

Painting ID::  30789

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Nicolae Grigorescu
In Front of the Firephale
nn06 oil on canvas glued on metal 31.5x36cm Art Muesum, Constanta
   
   
     

 

 

Nicolae Grigorescu Young Woman with her Bundle oil painting

Painting ID::  30790

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Nicolae Grigorescu
Young Woman with her Bundle
nn06 oil on canvas 66.5x47cm National Art Museum of Romania,Bucharest
   
   
     

 

 

Nicolae Grigorescu Peasant Woman in her House oil painting

Painting ID::  30791

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Nicolae Grigorescu
Peasant Woman in her House
nn06 1870-1872 Oil on canvas 31x47.2cm National Art Museum of Romania,Bucharest
   
   
     

 

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Nicolae Grigorescu
Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.